Photographer unknown, "Portrait of Maillol", undated © Paris, Archives Fondation Dina Vierny - Musée Maillol
1861 - 1882
The beginnings
1861
Aristide Bonaventure Jean Maillol was born on December 8th 1861 in Banyuls-sur-Mer (Pyrénées-Orientales). He was the fourth of five children of Catherine Rougé and Raphael Maillol, a fabric merchant and vineyard owner.
1875
His taste for art was evident from his early childhood and it was at the age of 14 that he painted his first picture, a marine. He then took drawing lessons at the Perpignan museum and decided to become a painter.
Aristide Maillol, "Self-portrait", 1884, oil on canvas, 32 x 24 cm, © Fondation Dina Vierny - Musée Maillol
1882 - 1885
Studies in
Paris
1882
In 1882, Maillol was 21 years old and decided to make his dream come true: to "go up" to Paris. He tried several times to pass the entrance exam to the Ecole des Beaux-arts
1885
He was finally admitted on 17 March 1885, in the Painting and Sculpture section under the tutorship of Jean-Paul Laurens, Gérôme and especially Cabanel. At this time he experienced a period of great misery; underfed, he fell ill and was hospitalised several times.
Photographer unknown, "Maillol in his tapestry workshop", undated © Fondation Dina Vierny - Musée Maillol
1893 - 1895
Tapestry
1893
Disgusted by the teaching of Fine Arts and very impressed by the art of Paul Gauguin and Maurice Denis whom he met and who encouraged him, Maillol began to take an interest in tapestry. He regularly exhibited at the Salon de la Société Nationale des Beaux-arts where he sent tapestries, wood carvings, small sculptures and enamelled ceramics.
1895
In 1895, he created a tapestry workshop in Banyuls.
Photographer unknown, "Maillol and Clotilde", undated © Paris, Archives Fondation Dina Vierny - Musée Maillol
1896
Family
7 July 1896
In his studio he met Clotilde Narcis, who became his model. They got married in Paris on 7 July 1896.
30 October 1896
On 30 October, the artist's only son, Lucien, is born in Banyuls-sur-Mer.
Rippl-Ronaï, "Bonnard, Maillol, Vuillard, Vallotton", undated © Paris, Archives Fondation Dina Vierny - Musée Maillol
1900
His Beginnings in Sculpture
1900
Maillol regularly welcomed his Nabis friends Maurice Denis, Ker Xavier Roussel, Edouard Vuillard, Pierre Bonnard, and later Henri Matisse to his home. A close friendship united these artists throughout their lives. Maillol then turned exclusively to sculpture, he made ceramics which his friends admired and which they represented in several of their works.
Pierre-Auguste Renoir, "Portrait of Ambroise Vollard", 1908, oil on canvas, 81.6 x 65.2 cm © London, Courtaud Institute of Art
1902
The early days of recognition
1902
In 1902, the art dealer Ambroise Vollard organised Maillol's first solo exhibition in his small gallery in the rue Laffitte. It was a collection of 33 works, the aim of which was to impress and captivate art lovers. Vollard bought some of these sculptures, but despite these sales the artist's financial situation remained precarious. The critic and art historian Meier-Graefe devoted a chapter to him in his book on modern art.
Portait de Harry Kessler, undated © Marbach, Schiller-National Museum, Deutsches Literaturarchiv
1904
Meeting Count Harry Kessler
1904
On the advice of Auguste Rodin, Octave Mirbeau and Maurice Denis, Count Kessler, a wealthy art collector, meets Maillol in Marly. Kessler became his greatest admirer and patron. Maillol often said that this meeting was one of the best opportunities of his life.
Photographer: Frau von Heimberg. In the studio at Marly le Roy. Maillol, aged 46, next to the unfinished stone version of Méditerranée for Kessler. In the background the plaster model of Pomona. 1908. Archives Dina Vierny Foundation-Musée Maillol, Paris
1905
Success at the Salon d'Automne
1905
Maillol had his first great success at the Salon d'Automne in 1905 with the plaster of Méditerranée. Kessler commissioned a monumental reproduction of this work from Maillol, a haute-relief; Le Désir , and later a half-nature sculpture; Le Jeune Cycliste. His friends Gustave Geffroy and Octave Mirbeau commissioned him to create a monument to Auguste Blanqui; L'Action enchaînée. He painted Renoir's portrait in Cagnes in 1907 and also worked on the sculpture La Nuit.
Photographer unknown, "Aristide Maillol", undated © Paris, Archives Fondation Dina Vierny - Musée Maillol
1910
Notoriety
1910
Maillol exhibited a plaster statue, Pomona, at the Salon d'Automne 1910, which received considerable attention from the international art press.The Russian collector Morozov bought it and commissioned three other sculptures from him: Summer, Spring and Flora. Maillol also obtained the commission for the Monument to Cézanne for the city of Aix-en-Provence, which subsequently refused it. It was not installed in the Tuileries Gardens until 1929.
Photographer unknown, "Visitors in front of Maillol's studio at Marly-le-Roi, with L'Action enchainée, La Douleur and L'Ile-de-France", undated © Paris, Archives Fondation Dina Vierny - Musée Maillol
1913
Onwards An Internation Artist
1913
From 13 April to 4 May 1913, Maillol's first exhibition outside France was held in Rotterdam, the Netherlands. Eight very large sculptures, plaster models, Pomona, Flore, five drawings and sixty photographs of other works by Maillol, taken by Eugène Druet, were exhibited there. In the same year, several of his works were also shown in the United States at the famous Armory Show.
1928
In 1928, he exhibited in London at the Goupil Gallery and then in Berlin at Flechtheim.
1933
In 1933, a major exhibition was held in New York at the Brummer Gallery. The same year, a retrospective exhibition was held at the Kunsthalle of Basel.
Studio Olofsdoller, "Portrait of Dina Vierny", undated © Paris, Archives Fondation Dina Vierny - Musée Maillol
1934
Meeting Dina Vierny
1934
In 1934, Aristide Maillol, at the height of his fame, met Dina Vierny, then aged 15. She quickly became his model and close collaborator, and remained so until his death.
1937 - 1944
Between 1937 and 1944, Maillol created the monumental sculptures L'Air, La Montagne, La Rivière, modelled on Dina. She would later work to make Maillol's work known to a wider public and create a museum dedicated to him.
Photographer: Karquel, Aristide Maillol in the mountains, near Banyuls-sur-Mer, 1943. Archives Fondation Dina Vierny-Musée Maillol, Paris.
1939
A return to his roots
1939
Maillol retired to Banyuls in September 1939, fleeing the madness of men. He lived alone in the mountains in his country house, which served as his studio, and returned to painting. He began his last statue, Harmonie , which he did not finish. He began to work on a catalogue of his work with Dina Vierny and painted and drew a lot.
Harry Kessler, "Aristide Maillol at the Temple of Apollo, Delphi", 13 May 1908 © Archives Fondation Dina Vierny-Musée Maillol, Paris